"Bloodchild"

'Would you really rather die than bear my young?': the construction of gender, race, and species in Octavia E. Butler's 'Bloodchild.' (Black Women's Culture Issue) By: Helford, Elyce Rae, African American Review, 10624783, , Vol. 28, Issue 2


Alien Bodies and a Queer Future: Sexual Revision in Octavia Butler's "Bloodchild" and James Tiptree, Jr.'s "With Delicate Mad Hands."

Ender's Game

Learn a bit about author Orson Scott Card here.

Final Project

As we've been discussing the popular genres, it has become apparent that film is the dominant mode with which many are familiar. To that end, let's develop a final project that is both creative and analytical.

Choosing one genre in which to work (detective, romance, horror, adventure, science fiction), write an original two-page (600 word) film screenplay treatment.

In addition, please attach a 600-900 word analysis (attach as “Introduction”) of the way in which you have used at least two of the conventions of that specific genre (the haunted or decaying house and the unnatural creature in horror fiction, for example) in your story and how they contribute to the construction of the story and its place in the genre as a whole, and describe how you have used at least two general story elements (plot, symbolism, setting, tone, character, for example) to contribute to the construction of the story as a whole. Clearly organize and support this part because . . .

You will be graded on your analysis of the genre-specific and short story elements that you demonstrate in the analysis of your story, not whether you have written a professional, publication-worthy creative work of art (it’s not a creative writing course, after all).

Specifics:
Google Doc

MLA format

Due: 12/9 -share with me, michael.youngs@apps.fmcc.edu

Enjoy!

Sci-Fi Readings

"The Mortal Immortal" 8
"The Star" 373

11/25
"Robot Nemesis" 544
"Robbie" 574

12/2
"The Sentinel" 745
"We Can Remember It for You Wholesale" 880
"The Last Flight of Dr. Ain" 915

12/4
"Ender's Game" 970
"Melancholy Elephants" 996

12/6
"Bloodchild" 1035

Sci-Fi

H.G. Wells

What is Science Fiction?

Science fiction is the search for definition of man and his status in the universe which will stand in our advanced but confused state of knowledge (science), and is characteristically cast in the Gothic or post-Gothic mould.—Brian W. Aldiss in Trillion Year Spree: the History of Science Fiction (London, 1986)

Modern science fiction is the only form of literature that consistently considers the nature of the changes that face us, the possibleconsequences, and the possible solutions...That branch of literature which is concerned with the impact of scientific advance upon human beings.—Isaac Asimov

Science fiction is really sociological studies of the future, things that the writer believes are going to happen by putting two and two together. —Ray Bradbury

We talk a lot about science fiction as extrapolation, but in fact most science fiction does not extrapolate seriously. Instead it takes a willful, often whimsical, leap into a world spun out of the fantasy of the author... In fact, one good working definition of science fiction may be the literature which, growing with science and technology, evaluates it and relates it meaningfully to the rest of human existence.—H. Bruce Franklin

A handy short definition of almost all science fiction might read: realistic speculation about possible future events, based solidly on adequate knowledge of the real world, past and present, and on a thorough understanding of the nature and significance of the scientific method. To make this definition cover all science fiction (instead of "almost all") it is necessary only to strike out the word "future." —Robert A. Heinlein in Science Fiction: its nature, faults and virtues, in The Science Fiction Novel, Advent, Chicago:1969

Science Fiction is speculative fiction in which the author takes as his first postulate the real world as we know it, including all established facts and natural laws. The result can be extremely fantastic in content, but it is not fantasy; it is legitimate--and often very tightly reasoned--speculation about the possibilities of the real world. This category excludes rocket ships that make U-turns, serpent men of Neptune that lust after human maidens, and stories by authors who flunked their Boy Scout merit badge tests in descriptive astronomy.—Robert A. Heinlein in Ray Guns And Spaceships, in Expanded Universe, Ace, 1981

Fantasy is the impossible made probable. Science Fiction is the improbable made possible.— Rod Serling